Hey guys, We're here with some new latest update from ESPN. Sports panel, yeah ? from ESPN http://espn.go.com/
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from ESPN http://espn.go.com/
via IFTTT
Hey guys, We're here with some new latest update from ESPN. Sports panel, yeah ? from ESPN http://espn.go.com/
via IFTTT
from ESPN http://espn.go.com/
via IFTTT
Our new 'Word Of The Day' article update : paternoster , n :
(Christianity) The Lord's prayer, especially in a Roman Catholic context. A slow, continuously moving lift or elevator consisting of a loop of open-fronted cabins running the height of a building, the arrangement resembling a rosary. The moving compartment is entered at one level and left when the desired level is reached. (architecture) A bead-like ornament in mouldings. […] (archaic) A string of beads used in counting prayers that are said; a rosary. (archaic) A patent medicine, so named because salesmen would pray the Lord's prayer over it before selling it. In Western Christianity, Easter falls on this day.

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Hey pal, You must know what's the featured article on Wikipedia, anon : The Wikipedia article of the day for March 27, 2016 is Christ lag in Todes Banden, BWV 4.
Christ lag in Todes Banden, BWV 4, is an Easter chorale cantata by Johann Sebastian Bach. Translated to "Christ lay in death's bonds" (pictured in an 18th-century Luther Bible), it is one of his earliest church cantatas, a genre to which Bach later contributed complete cantata cycles for all occasions of the liturgical year. The composition was probably intended for a performance in 1707, supporting his application for a post at a church in Mühlhausen. Both text and music are based on Martin Luther's Easter hymn of the same name. An opening sinfonia is followed by seven chorale variations per omnes versus: Bach used in each vocal movement the unchanged words and tune of a stanza of the chorale. The variations are arranged symmetrically: chorus–duet–solo–chorus–solo–duet–chorus, with the focus on the central fourth stanza about the battle between Life and Death. For his first Easter as Thomaskantor in Leipzig in 1724, Bach used the cantata again, and also for the following year as part of his cycle of chorale cantatas. In the extant score of the Leipzig performances, the four vocal parts are sometimes reinforced by a choir of trombones.